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Mysterious Fayum Portraits, by Euphrosyne Doxiadis
Download Mysterious Fayum Portraits, by Euphrosyne Doxiadis
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Amazon.com Review
The Fayum, a flourishing metropolitan community in ancient Egypt, consisted of Greeks, Egyptians, Syrians, Libyans, and others. Like many of their contemporaries throughout the Nile Valley, these people embalmed their dead and then painted commemorative portraits of them, usually on wood or linen, to be placed over the mummies. Looking into the well-preserved, startlingly lifelike faces collected in this beautiful volume, one can trace the earliest roots of portraiture as it began in these Greco-Roman Fayum, or mummy, portraits, and continued through the Renaissance to the present. Despite their ancient history, the stylized portraits appear strikingly modern and painterly, with echoes of Modigliani and Matisse. Having experimented with them herself, Euphrosyne Doxiadis describes in detail the painting techniques and materials. Also included are fascinating notes on the clothing, jewelry, and hairstyles of the period.
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From Publishers Weekly
Made in the lush Fayum region of Greco-Roman Egypt during the first three centuries A.D., portraits of the embalmed, mummified dead-each painted on a thin wooden panel or linen shroud and placed over the face to preserve the memory of the individual-are among the glories of world art. Staring at us with intense, disturbing gazes, these men and women speak to us as if from the otherworld, transcending mortality and death. Greek artist Doxiadis, who traveled to museums and collections around the world to study the Fayum portraits, has produced an important and beautiful volume that fills a major gap in the documentation of the art of antiquity. She reconstructs the Fayum painters' techniques and places the portraits in a pictorial tradition extending from fourth-century B.C. Greek naturalism to Byzantine icons. We see the Fayum portraits as the product of a cosmopolitan, multiracial society of Hellenized Greeks, Romans, Syrians, Jews, Libyans and Nubians who had largely adopted the Egyptian cult of the dead. Copyright 1995 Reed Business Information, Inc.
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Product details
Hardcover: 256 pages
Publisher: Harry N. Abrams; First edition (October 15, 1995)
Language: English
ISBN-10: 0810933314
ISBN-13: 978-0810933316
Product Dimensions:
10 x 1 x 13 inches
Shipping Weight: 4.2 pounds
Average Customer Review:
5.0 out of 5 stars
10 customer reviews
Amazon Best Sellers Rank:
#1,082,633 in Books (See Top 100 in Books)
This is a must for anyone who loves Portraiture and Iconography. Readers are brought face to face with the people of a world seemingly lost, but born again into our world with this discovery. This book is a clear example showing art had reached paramount under the classical culture. This book also makes for easy comparisons of Christian Iconography which would borrow heavily from the sacred practice of burial of the Egyptians. Lastly, this work is very helpful to those interested in studying the archeology of the Ptolemaic Period of Egypt. I only wish that the publisher had made a hardcover addition available.
The color portraits that bring to life people who walked the earth a couple of thousand years ago are what this book is all about. They are amazing. I was surprised at how modern in technique some of the portraits appeared. The ones with notes written to or about the deceased person made it that much easier to believe that these images were once living, breathing people. I found the information about the portraits and the times in which they were made to be very interesting also. Probably not for recreational reading, but if you like ancient history, a very worthwhile read.
This book was in VG condition. The portraits shoot you right back in time as you gaze into their eyes, so realistic--unlike other ancient stylized portraiture. I have seen a few of them in other books in my classical history collection, wonderful to see so many together in one tome.
My art teacher brought this book to class and I couldn't put it down. It's a little pricey but worth every cent. I go to another place in my head while looking at the portraits imagining what their lives must have been like. I feel as if they are people I know. The text is good, too. This was obviously a labor of love for the author.
The portraits are so amazing in reality, I had to have the book to learn more about them.
Wow! The pictures in this book are absolutely stunning! It brings history alive.
I used to hate and loathe art from Classical antiquity. Marble statues of idealized gods or warty old Roman senators? I could not relate. And please don't even get me started on Early Christian & Byzantine art or mosaics! I discovered this book while looking into the Fayum mummy portraits at the British Museum. These paintings were 2nd Century encaustic paint on papyrus that was usually wrapped around a corpse. Due to the climate conditions at the site where these mummies were buried, the paintings are remarkably well preserved. The look of these portraits is reminiscent of 19th century portraiture, far more relatable and human than the Olympians or historical worthies in other classical art. There is something otherworldly about these paintings from the anonymity of the people represented to the realistic modeling of light and rich color of the pigments. And yet they seem immediate and contemporary, not two millennia old.This actual book about the Fayum mummy portraits, by Euphryosyne Doxiodoxis is supposed to be the authoritative edition, and when you pick it up you'll understand that this is a thick and substantial coffeetable book on the topic. This quarto size of this book is a richly deserved treatment for these works of art which should be studied by anybody interested in doing portraits today. There had been a copy of this at the Getty Villa last August, it had a broken spine, when I returned there over Christmas, it was gone, maybe somebody else realized what a great book this is. Maybe somebody at the Getty press should run a new edition of this book?
I checked this book out from the library so many times, that noone else got to read it. If you are an artist or someone who wants to work with past lives, or a novelist, this is the book for you. for the portraits in this book, painted in Alexandria m during the Greek/roman period of Eygpt's history, are wonderful! The Writer analyses each painting from a painter's perspective , breaking down the colors and pigments used in those times, for instance black is often burnt wine. the illusion of Gold was made with yellow orche / white and a darker color. I tried painting many of the pictures myself.
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